Atelier Van Lieshout – Renegade

Milano - 21/03/2019 : 18/04/2019

Mostra personale


  • Luogo: GIO' MARCONI
  • Indirizzo: via Tadino 20 20124 - Milano - Lombardia
  • Quando: dal 21/03/2019 - al 18/04/2019
  • Vernissage: 21/03/2019 ore 19
  • Autori: Atelier Van Lieshout
  • Generi: arte contemporanea, personale
  • Orari: From Tuesday to Saturday, 11am-7pm

Comunicato stampa

Gió Marconi is pleased to announce RENEGADE, an exhibition of new works by Atelier Van Lieshout, his sixth at the gallery.

‘I want to be a hobby artist ‘ or ‘I’m fed up with all of that professional art’

Having participated in the art world for over three decades, Joep Van Lieshout is starting to get fed up with its mechanisms

He strongly feels that there is a misbalance in the present art world in which fashions and speculation, art fairs, auctions and fast money have become more important factors than an artistic vision.

Ever since his beginnings, Van Lieshout has disagreed with the establishment and chose the route of the art renegade. From early on, he grabbed any opportunity to create: tools, machines, sculptures, functional objects, furniture, custom made bathrooms and kitchens. His early works were never completely planned out, he allowed them to be determined by external factors. His Beercrate series is a good example of this. After discovering that beer crates happen to have the same size system as standard concrete pavement slabs, he assembled the two and made sculptures out of them, thereby letting chance and coincidence decide on their shape.

With his Hard Edge hyper minimalist modular furniture design and the Soft Edge bathroom and toilet units where the client (much rather than the artist) would eventually decide upon the look of his future bathroom, Van Lieshout chose to have as little influence as possible on his artworks and thereby erased three art immanent features: uniqueness, authenticity and non-functionality. This questioning of art in general and the artist’s role within the system, finally led to the foundation of Atelier Van Lieshout in 1994. With this step the artist removed his own name in order to create space for a non-authorship.

With RENEGADE Van Lieshout is again going against the grain. He says: fuck you very much and challenges the market while giving it what it wants: Van Lieshout, the artist sometimes referred to as designer, will make or take an artwork and turn it into design by just adding a lampshade. With incredible speed Atelier Van Lieshout churns out hundreds of lamps at a time, thereby quickly accumulating an amount that can spread through the art world like a virus. Instead of having his art hijacked by the market, by adding a lamp shade, Van Lieshout presents this new group of works to the public as if it were quickly assembled DIY furniture: large quantities, functional and very accessible.

RENEGADE consists of an arrangement of differently sized lamps which are created, assembled, put together and produced from found objects and simple materials: balaclava masks dangle from lampshades; a bust with a gas mask strapped to its head embellishes the lamp pole of a floor lamp; a single, red forlorn lightbulb dimly illuminates the roughly cut out wooden words “GIRLS-GIRLS-GIRLS”; tall, sausage-like organic-looking objects taper into a single burning lightbulb, whereas two beer crates in combination with concrete slabs build the solid base for a sturdy lamp with a steel shade.

Anything, Van Lieshout gets his hands on, can potentially become the base for a lamp: his own artworks, debris, random utensils, toilets, valuable materials, everyday objects, catchphrases. In times of hyper consumerism, the artist engages in the art of recycling. By making every new object as valuable or invaluable as the previous one, the works become on the one hand more democratic and accessible to the public while questioning the meaning, creation and the value of art on the other.

Atelier van Lieshout was founded in 1995 by Joep Van Lieshout (b. 1963 in Ravenstein, Netherlands).
Selected solo exhibitions include: Alte Nationalgalerie, Berlin (2015); Migros Museum, Zurich (2012); Submarinewharf Museum Boijmans van Beuningen, Rotterdam (2010); Mumok Vienna (2010); Ludwig Forum für Internationale Kunst, Aachen (2008); Sanderetto Foundation, Turin (2008); Museum Folkwang, Essen (2008); MACRO, Rome (2007); Central del Arte, Guadalajara (2006); Sprengel Museum, Hannover (2004); Camden Arts Centre, London (2002); PS1, New York City (2001); Museum of Contemporary Art, Miami (1999);
His work has also been included in numerous group exhibitions including: Fondacion Jumex, Mexico DC (2016); Fondazione Prada, Milan (2015); MARTA Herford, Herford (2015); Bonnefantenmuseum, Maastricht (2014); MAXXI, Rome (2014); Musée National d'Art Moderne Centre Pompidou, Paris (2011; Stedelijk Museum, Amsterdam (2008); Witte de With, Rotterdam (2007); Triennale, Milano (2007); Van Abbe Museum, Eindhoven (2005); ZKM, Karlsruhe (2003); Deichtorhallen, Hamburg (2000); Kunsthaus Bregenz, Bregenz (2000); St. Louis Art Museum, St. Louis (2000); MOMA, New York (1995); Wiener Sécession, Vienna (1993).
Van Lieshout's works have been included in the Gwangju Biennale, Gwangju (2011); Shangai Biennale, Shangai (2006); Yokohama Triennale, Yokohama (2005); La Biennale di Venezia, Venice (2003); São Paulo Art Biennial, São Paolo (2002).
AVL’s work is part of major collections, such as: Museum Boijmans Van Beuningen, Rotterdam; Van Abbe Museum, Eindhoven; Stedelijk Museum, Amsterdam; Centre Pompidou, Paris; Museum Folkwang, Essen; K20 K21 Kunstsammlung Nordrhein Westfalen, Düsseldorf; Sprengel Museum Hannover; Collection Marta Herford, Herford; Prada Foundation, Milan; MOMA, New York; Walker Art Center, Minneapolis; Mumok, Vienna; Migros Museum für Gegenwartskunst, Zurich; The Henry Moore Institute, Leeds.